
Cinematic Space Technology Animation Full Storyboard Provided.
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£75/hr(approx. $101/hr)
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Description
Experience Level: Expert
WHAT THIS IS
I am developing a space debris removal technology called ARDENT and need a high-quality cinematic animation for use in:
- IP licensing meetings with aerospace prime contractors (ClearSpace UK, Astroscale)
- UK Space Agency grant application (£75.6M programme)
- UK Space Conference 2026 presentation
This is NOT a generic explainer video. This is a cinematic science film — think SpaceX Starship launch films, ESA debris visualisation videos, or NASA JPL science films. Serious, awe-inspiring, technically accurate.
I have a COMPLETE production storyboard document (Word doc, ~25 pages) containing:
✓ Shot-by-shot descriptions for all 13 shots
✓ Camera directions for every shot
✓ Full voiceover script (310 words, ~2m35s read time)
✓ Sound and music notes per shot
✓ AI video prompts per shot (Sora/Runway formatted — you may use these or ignore them)
✓ Style references for every scene type
✓ Colour palette and brand guidelines (ARDENT navy/gold)
You will not need creative meetings before quoting. The brief is complete.
━━━━━━━━━━━━━━━━━━━━━━━━
THE 13 SHOTS IN BRIEF
━━━━━━━━━━━━━━━━━━━━━━━━
01 — Earth from orbit, opening wide shot (8s)
02 — Orbital debris field visualisation with statistics overlay (12s)
03 — Defunct satellite collision in slow motion (10s)
04 — ARDENT title card (8s)
05 — Servicer spacecraft approaching debris target (14s)
06 — Vision system characterising debris with HUD overlay (12s)
07 — THE HERO SHOT: cannon fires, net deploys in slow motion (14s) ← most important
08 — Net envelops debris, cinch mechanism closes (17s)
09 — Drag augmentation sail unfurls, passive deorbit begins (17s)
10 — Data/statistics sequence with kinetic typography (13s)
11 — Three failure modes solved — comparison graphic (17s)
12 — Epic wide beauty shot, full system against Earth (13s)
13 — End card with logo reveal (15s)
━━━━━━━━━━━━━━━━━━━━━━━━
STYLE & TECHNICAL REQUIREMENTS
━━━━━━━━━━━━━━━━━━━━━━━━
Style: Cinematic CGI — photorealistic space environment, not cartoon or flat design
References: SpaceX Starship landing films / ESA space debris visualisations / NASA JPL
Resolution: 4K minimum (3840×2160), 16:9
Frame rate: 24fps cinematic (slow motion shots at 50fps+ then slowed)
Format: MP4 H.264 master + compressed version for presentations
Source files: Included in price (After Effects, Blender, or Cinema 4D project files)
Voiceover: NOT included — I will record or commission separately
Music: NOT included — I will license separately from Artlist/Epidemic Sound
Colour grade: Cinematic, cool-toned space palette with warm Earth glow
━━━━━━━━━━━━━━━━━━━━━━━━
THE HERO SHOT — SHOT 07
━━━━━━━━━━━━━━━━━━━━━━━━
Shot 07 is the centrepiece of the film and the most important shot to get right. It shows a cold-gas cannon on the nose of a spacecraft firing a net package into space. The net blossoms open — 20 metres of fine Dyneema mesh expanding beautifully against black space, corner masses swinging out, sunlight catching the mesh fibres in gold. It travels at a visibly slow, controlled pace. This shot is beautiful and it needs to feel like a genuine engineering miracle.
Please pay special attention to this shot in your proposal — showing me you've thought about how to achieve it will go a long way.
━━━━━━━━━━━━━━━━━━━━━━━━
WHAT I NEED IN YOUR PROPOSAL
━━━━━━━━━━━━━━━━━━━━━━━━
1. Your showreel / portfolio — specifically anything with: space, particles, slow motion physics, mechanical sequences, or technical animation
2. Which shots you'd approach using 3D CGI vs AI-assisted generation vs motion graphics
3. Your proposed timeline
4. Your fixed price for the complete deliverable
5. Two or three sentences on how you'd approach Shot 07 specifically
I will provide the full storyboard document to shortlisted applicants immediately.
IDEAL FREELANCER PROFILE
━━━━━━━━━━━━━━━━━━━━━━━━
- Experience with space, science, or technical CGI animation (essential)
- Proficient in Cinema 4D, Blender, or equivalent 3D software (essential)
- After Effects for compositing and motion graphics (essential)
- Experience with particle systems and physics simulation (important)
- Comfortable working from a detailed written brief without hand-holding
- UK-based preferred but not essential — must be comfortable with English-language brief
NOT suitable for this project:
- Character animators
- 2D flat/explainer video specialists
- Whiteboard animation
- Template-based video makers
A skilled animator using a combination of 3D CGI for the mechanical shots and AI-assisted generation for the space environment shots can deliver this within a good budget.
I am happy to discuss a phased approach if helpful — priority shots first, balance on delivery.
━━━━━━━━━━━━━━━━━━━━━━━━
Looking forward to hearing from you. Please message with your portfolio and proposal.
I am developing a space debris removal technology called ARDENT and need a high-quality cinematic animation for use in:
- IP licensing meetings with aerospace prime contractors (ClearSpace UK, Astroscale)
- UK Space Agency grant application (£75.6M programme)
- UK Space Conference 2026 presentation
This is NOT a generic explainer video. This is a cinematic science film — think SpaceX Starship launch films, ESA debris visualisation videos, or NASA JPL science films. Serious, awe-inspiring, technically accurate.
I have a COMPLETE production storyboard document (Word doc, ~25 pages) containing:
✓ Shot-by-shot descriptions for all 13 shots
✓ Camera directions for every shot
✓ Full voiceover script (310 words, ~2m35s read time)
✓ Sound and music notes per shot
✓ AI video prompts per shot (Sora/Runway formatted — you may use these or ignore them)
✓ Style references for every scene type
✓ Colour palette and brand guidelines (ARDENT navy/gold)
You will not need creative meetings before quoting. The brief is complete.
━━━━━━━━━━━━━━━━━━━━━━━━
THE 13 SHOTS IN BRIEF
━━━━━━━━━━━━━━━━━━━━━━━━
01 — Earth from orbit, opening wide shot (8s)
02 — Orbital debris field visualisation with statistics overlay (12s)
03 — Defunct satellite collision in slow motion (10s)
04 — ARDENT title card (8s)
05 — Servicer spacecraft approaching debris target (14s)
06 — Vision system characterising debris with HUD overlay (12s)
07 — THE HERO SHOT: cannon fires, net deploys in slow motion (14s) ← most important
08 — Net envelops debris, cinch mechanism closes (17s)
09 — Drag augmentation sail unfurls, passive deorbit begins (17s)
10 — Data/statistics sequence with kinetic typography (13s)
11 — Three failure modes solved — comparison graphic (17s)
12 — Epic wide beauty shot, full system against Earth (13s)
13 — End card with logo reveal (15s)
━━━━━━━━━━━━━━━━━━━━━━━━
STYLE & TECHNICAL REQUIREMENTS
━━━━━━━━━━━━━━━━━━━━━━━━
Style: Cinematic CGI — photorealistic space environment, not cartoon or flat design
References: SpaceX Starship landing films / ESA space debris visualisations / NASA JPL
Resolution: 4K minimum (3840×2160), 16:9
Frame rate: 24fps cinematic (slow motion shots at 50fps+ then slowed)
Format: MP4 H.264 master + compressed version for presentations
Source files: Included in price (After Effects, Blender, or Cinema 4D project files)
Voiceover: NOT included — I will record or commission separately
Music: NOT included — I will license separately from Artlist/Epidemic Sound
Colour grade: Cinematic, cool-toned space palette with warm Earth glow
━━━━━━━━━━━━━━━━━━━━━━━━
THE HERO SHOT — SHOT 07
━━━━━━━━━━━━━━━━━━━━━━━━
Shot 07 is the centrepiece of the film and the most important shot to get right. It shows a cold-gas cannon on the nose of a spacecraft firing a net package into space. The net blossoms open — 20 metres of fine Dyneema mesh expanding beautifully against black space, corner masses swinging out, sunlight catching the mesh fibres in gold. It travels at a visibly slow, controlled pace. This shot is beautiful and it needs to feel like a genuine engineering miracle.
Please pay special attention to this shot in your proposal — showing me you've thought about how to achieve it will go a long way.
━━━━━━━━━━━━━━━━━━━━━━━━
WHAT I NEED IN YOUR PROPOSAL
━━━━━━━━━━━━━━━━━━━━━━━━
1. Your showreel / portfolio — specifically anything with: space, particles, slow motion physics, mechanical sequences, or technical animation
2. Which shots you'd approach using 3D CGI vs AI-assisted generation vs motion graphics
3. Your proposed timeline
4. Your fixed price for the complete deliverable
5. Two or three sentences on how you'd approach Shot 07 specifically
I will provide the full storyboard document to shortlisted applicants immediately.
IDEAL FREELANCER PROFILE
━━━━━━━━━━━━━━━━━━━━━━━━
- Experience with space, science, or technical CGI animation (essential)
- Proficient in Cinema 4D, Blender, or equivalent 3D software (essential)
- After Effects for compositing and motion graphics (essential)
- Experience with particle systems and physics simulation (important)
- Comfortable working from a detailed written brief without hand-holding
- UK-based preferred but not essential — must be comfortable with English-language brief
NOT suitable for this project:
- Character animators
- 2D flat/explainer video specialists
- Whiteboard animation
- Template-based video makers
A skilled animator using a combination of 3D CGI for the mechanical shots and AI-assisted generation for the space environment shots can deliver this within a good budget.
I am happy to discuss a phased approach if helpful — priority shots first, balance on delivery.
━━━━━━━━━━━━━━━━━━━━━━━━
Looking forward to hearing from you. Please message with your portfolio and proposal.
Paul K.
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