Phoenix - Your AI AssistantDigital projection/motion Designer – Dystopian 'Wizard of Oz'
- Posted:
- Proposals: 9
- Remote
- #4474859
- OPPORTUNITY
- Open for Proposals
Lagos 
Description
Experience Level: Expert
Estimated project duration: 1 - 2 weeks
The Project: Our performing arts college is deep into rehearsals for The Yellow Path—a high-concept, dystopian reimagining of The Wizard of Oz (opening March 2026). The setting is OzCorp: a 1950s "pretty prison" theme park where the Wizard uses vintage-style ads and TV screens to enforce "happiness. "I am relaunching this work as I was let down
We have already completed a significant portion of the visual designs and video assets. However, due to a shift in our artistic vision, we need a designer to step in immediately to tweak existing assets and create a few select new pieces to ensure the look is cohesive.
What Needs Doing: We have very clear ideas and existing examples to guide you. The workload involves:
Refining Existing Work: Adjusting current projections and videos to match our updated "OzCorp" branding. This includes updating the Wizard’s castle interior and specific signage.
New Asset Creation: Developing a 1950s house caught in a digital cyclone, a "processed" Munchkinland cornfield with a broken 1950s sign, and a haunted metallic forest littered with tech salvage.
The Aesthetic: A blend of 1950s "perfect" Americana (think vintage Coca-Cola or soap ads) mixed with dark, industrial decay.
The Ideal Candidate:
Fast & Collaborative: We need a quick turnaround. I have the reference images and the vision ready—I just need your technical skills to bring them to the finish line.
Skilled in Revision: You should be comfortable taking existing files/concepts and "plus-ing" them to match a specific brief.
Pro-Level Output: While this is a school production, our standards are professional and reputable.
Budget & Opportunity: As this is an educational production, our budget is limited, but the production value is extremely high. This is an ideal project for an artist looking for a high-concept, professional portfolio piece. Success here will lead to a go-to partnership for our future theatre seasons.
To Apply: Please share your portfolio and confirm how quickly you can start. SEE RIGHT HAND COLUMN OF ATTACHED DOC.
12 in total
We have already completed a significant portion of the visual designs and video assets. However, due to a shift in our artistic vision, we need a designer to step in immediately to tweak existing assets and create a few select new pieces to ensure the look is cohesive.
What Needs Doing: We have very clear ideas and existing examples to guide you. The workload involves:
Refining Existing Work: Adjusting current projections and videos to match our updated "OzCorp" branding. This includes updating the Wizard’s castle interior and specific signage.
New Asset Creation: Developing a 1950s house caught in a digital cyclone, a "processed" Munchkinland cornfield with a broken 1950s sign, and a haunted metallic forest littered with tech salvage.
The Aesthetic: A blend of 1950s "perfect" Americana (think vintage Coca-Cola or soap ads) mixed with dark, industrial decay.
The Ideal Candidate:
Fast & Collaborative: We need a quick turnaround. I have the reference images and the vision ready—I just need your technical skills to bring them to the finish line.
Skilled in Revision: You should be comfortable taking existing files/concepts and "plus-ing" them to match a specific brief.
Pro-Level Output: While this is a school production, our standards are professional and reputable.
Budget & Opportunity: As this is an educational production, our budget is limited, but the production value is extremely high. This is an ideal project for an artist looking for a high-concept, professional portfolio piece. Success here will lead to a go-to partnership for our future theatre seasons.
To Apply: Please share your portfolio and confirm how quickly you can start. SEE RIGHT HAND COLUMN OF ATTACHED DOC.
12 in total
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Are the existing assets provided in editable formats (like layered Photoshop, After Effects, or Illustrator files), or will part of the work require reconstructing them from rendered outputs?